2018

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    Жанрообразующая функция любовной интриги в драматургических произведениях В. Брюсова
    (Лингва, 2018) Strashkova Olga
    Love intrigue in V. Brusov’s plays included in the edition «Valery Brusov. Drama» (2016) is unfolding on the level of rationally oriented relationship, sincere feeling, love game and passion. The types of love dialogues in late XIX-early XX centuries (1890-1920) become more complicated, thus enriching emotional shades and giving additional connotation to the genre definition.
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    Образ страшного суда в творчестве В. Брюсова: истоки и воплощение
    (Лингва, 2018) Skorokhodov Maxim
    The paper discusses the main sources of the Last Judgment’s notion in the works by V. Brusov, who learned about this term at the gymnasium, during the lessons on the Law of God. Its urgency was promoted by the fact that V. Brusov knew the iconographic embodiments of the notion, and read the academic literature, the works by his predecessors and contemporaries, who had often referred to the Last Judgment concept. The paper’s author analyzed the texts, where the poet had most clearly revealed the Last Judgment notion
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    Ирония как метод познания в художественной философии В. Брюсова («TERTIA VIGILIA», «URBI ET ORBI»)
    (Лингва, 2018) Ivanova Irina
    The paper deals with the epistemological mechanism of symbolist irony in V. Brusov’s collections of verses «Tertia Vigilia» and «Urbi et Orbi». The poet’s aesthetic and philosophic relativism reveals the Russian modernist tendencies that would later crystallize in the Russian postmodernist aesthetic framework.
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    Идиомы и ориентационные лексические метафоры в творчестве В. Брюсова
    (Лингва, 2018) Dronov Pavel
    The paper deals with V. Brusov’s use of idioms, collocations, gesture nominations, as well as the original phrases coined by the author. Emphasis is put on somatic idioms and orientation metaphors. The Russian National Corpus shows that while the author tends to use idioms and collocations in his prose more frequently, it is poetry where he modifies them. In the conclusion, the paper provides an explanation to this based on both phraseology and literature studies.
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    «Любимец Афродиты»: образ диктатора в стихотворении В.Я. Брюсова «Сулла»
    (Лингва, 2018) Pokachalov Maxim
    The paper views the peculiarities of V. Brusovʼs creative perception of the personality of Sulla, the ancient Roman dictator. On the material of the correspondent poem the author analyzes the character traits and features of policy pursued by Sulla. The paper substantiates the poetʼs research interest to the hero and his historical doings.
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    Поэтика балладного жеста: специфика брюсовских экфрасисов
    (Лингва, 2018) Kravchenko Oxana
    The paper focuses on the specific nature of V. Brusov’s picturesque, displayed in the author’s historical ballads. Specific principles of poetic image creation, typical for spatial arts, have been outlined in the paper. The author concludes that V. Brusov’s ballad ecphrasis does not reproduce the artifact but creates an emblem of history development.
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    Особенности хронотопа в романе В. Брюсова «Юпитер поверженный»
    (Лингва, 2018) Gulanyan Karine
    V. Brusov shows the theme of pagan Rome decline in the novel «Jupiter Fallen» with the help of the chronotope. Time and space, which are important for paganism, are presented as decayed, but Christian churches are capable of being restored after a short disgrace.
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    Антропоморфные метафоры и сравнения в поэзии В. Брюсова
    (Лингва, 2018) Petrova Zoya
    The paper provides a semantic classification of tenors and vehicles of personifying tropes by V. Brusov. The author analyzes the ways of renewing the traditional tropes by the poet and emphasizes the relevance of personification in V. Brusov’s poetry with semantic dominants of his typical idiostyle.
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    Предметный мир в военных корреспонденциях В. Брюсова
    (Лингва, 2018) Danielyan Elmira
    The paper deals with V. Brusov’s experience as a war correspondent during World War I. The author considers V.Brusov’s depiction of the combatants’ portraits, clothing, their conversations, as well as the surrounding world and the local residents’ livelihood.
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    О книге В.Брюсова «Летопись исторических судеб армянского народа»
    (Лингва, 2018) Zakaryan Anushavan
    V. Brusov penned several researches on the Armenian history. «The Chronicle of the Historical Fate of the Armenian Peoplе» (from the VI century BC up to Our Times) » is the crystallization and climax of his research. V. Brusov authored his study in November 1916, yet it was published in 1918, by the Armenian Committee of Moscow. «The Chronicle» comprises 124 pages, has also segments «From the Author» – «Introduction», nine chapters, «Notes», «Bibliography». Publicizing his research V. Brusov pursued a set of goals, in particular, to introduce the rich heroic history of the Armenian people to the foreign, primarily to the Russian readers with his unbiased academic approach, to show its place and role in the human history. He presented Armenian history as interrelated to the cultural process, and succeeded in offering a broad perspective on studying the Armenian history.
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    Мотив стихий в стихотворениях В. Брюсова о мифических волшебницах и прорицательницах
    (Лингва, 2018) Gozdek Agnieszka
    Тwo poems by Valery Brusov «Amalthea» and «Circe» analized in the paper. The aim of interpretation is to prove that addressing mythical prophetesses and motives of the elements in both texts, the poet meant to express his viewpoint cocnerning the essence and function of poetry.
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    О «Футуризме» В. Брюсова
    (Лингва, 2018) Akhsakhalyan Alexandre
    V. Brusov gave close scrutiny to the Futurists from the very moment they had begun publishing. From 1911 on, he wrote a series of articles, which reveal the evolution of his perception: from negating Futurism he passed on to establishing links between Futurism and Symbolism. The issue of influence of Futurism on V. Brusov brings out the complexity of correlation between the two movements.
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    Из заметок о стихах В. Брюсова
    (Лингва, 2018) Bogomolov Nikolay
    The author of the paper analyzes a number of poems by V. Brusov, published antemortem and postmortem, and shares his reflection and conclusions. The matter concerns, in particular, «a reply to acmeists», «a mystery of “A Fatal Row ”», and «Verea».
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    Брюсовские чтения
    (Лингва, 2018)
    V. Brusov penned several researches on the Armenian history. «The Chronicle of the Historical Fate of the Armenian Peoplе» (from the VI century BC up to Our Times) » is the crystallization and climax of his research. V. Brusov authored his study in November 1916, yet it was published in 1918, by the Armenian Committee of Moscow. «The Chronicle» comprises 124 pages, has also segments «From the Author» – «Introduction», nine chapters, «Notes», «Bibliography». Publicizing his research V. Brusov pursued a set of goals, in particular, to introduce the rich heroic history of the Armenian people to the foreign, primarily to the Russian readers with his unbiased academic approach, to show its place and role in the human history. He presented Armenian history as interrelated to the cultural process, and succeeded in offering a broad perspective on studying the Armenian history.
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    «Испанская» концепция мира в поэзии К. Бальмонта
    (Лингва, 2018) Чулян А.Г.
    The purpose of this paper is to determine the Spanish concept of the world in the artistic perception of K. Balmont by the method of analysis of poetic works with Spanish themes in the creative heritage of the poet. The variety of the «Spanish» themes, motifs, and 424 characters in K. Balmont’s poetic heritage proves that Spain was seen by the poet not only as historical or geographical scenery, against which the poet represented his own work; К. Balmont recreated the past of Spain, delved into the essence of the Spanish character, appealed to the masters of art and literature, which led to the endless transformation of the К. Balmont’s lyrical hero. «Spanish» themes, motifs, characters have served as a source for his critical articles and essays with Spanish themes, complementing the «Spanish» concept of the world in his literary heritage.
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    Андрей Белый и Валерий Брюсов в портретах современников
    (Лингва, 2018) Наседкина Е.В.
    The paper discusses the iconography of V. Brusov. Well-known portraits done by Mikhail Vrubel (1906), Sergey Malyutin (1913) and Elizaveta Kruglikova (1910s) are considered in the context of works by other contemporary artists. The author shows how the popularity of these portraits triggered an avalanche of imitations and parodies and singles out works portraying V. Brusov and A. Bely together or done by the same artists. A. Bely’s tongue-in-cheek drawings of V. Brusov are also reviewed.
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    Стилистические и языковые особенности текстов М. Кузмина о В. Брюсове
    (Лингва, 2018) Гик А.В.
    The research tasks: the comparison of language structures for texts describing the stages of Silver Age poets interactions; specifics of narration modes in diary, epistolary and critical discourses. The research material are Mikhail Kuzmin’s diary records; correspondence between Valery Brusov and Mikhail Kuzmin; poetic messages in the form of acrostics; Valery Brusov obituary.
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    Поэзия В. Брюсова в музыке современников
    (Лингва, 2018) Сарафян Д.Р.
    The paper deals with romances, songs and an opera created by prominent representatives of Russian Silver Age music for poems, a novel and translations by V. Brusov. The information concerning the composers and the works by the poet is provided. The author concludes that cultural fusion is typical for the late XIX-early XX century, the epoch of «new culture», based on synthesis and syncretism. Music, poetry, art went hand in hand, to brighten up the world of fiction with vivid colors.
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    В. Брюсов и «Брюсовщина» в наследии Б. Садовского
    (Лингва, 2018) Елисеенко А.П.
    The paper considers the influence of V. Brusov’s literary activities and personality on B. Sadovskoy’s worldview, who was early XX century writer, poet and critic. The author attempts to analyze the reasons for B. Sadovskoy and V. Brusov controversy concerning the publication of «Ozim» (1915), a collection of articles by B. Sadovskoy.
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    Символический подтекст и особенности пространственно-временной организации поэмы А. Ахматовой «Реквием» (Методический аспект)
    (Лингва, 2018) Прохорова Т.Г.
    The paper deals with the methodological aspects of «Requiem» poem’s literary study. The author shares her experience of analyzing the poem at school and student audiences. The attention is focused on modernism traditions in A. Akhmatova’s poem. The research is targeted at identification of peculiarities of the space-time organization, as well as at cross-cutting symbolic motives in the «Requiem».