2018

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https://dspace.brusov.am/handle/123456789/703

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Browsing 2018 by Title

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    Андрей Белый и Валерий Брюсов в портретах современников
    (Лингва, 2018) Наседкина Е.В.
    The paper discusses the iconography of V. Brusov. Well-known portraits done by Mikhail Vrubel (1906), Sergey Malyutin (1913) and Elizaveta Kruglikova (1910s) are considered in the context of works by other contemporary artists. The author shows how the popularity of these portraits triggered an avalanche of imitations and parodies and singles out works portraying V. Brusov and A. Bely together or done by the same artists. A. Bely’s tongue-in-cheek drawings of V. Brusov are also reviewed.
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    Антропоморфные метафоры и сравнения в поэзии В. Брюсова
    (Лингва, 2018) Petrova Zoya
    The paper provides a semantic classification of tenors and vehicles of personifying tropes by V. Brusov. The author analyzes the ways of renewing the traditional tropes by the poet and emphasizes the relevance of personification in V. Brusov’s poetry with semantic dominants of his typical idiostyle.
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    Армянское литературное окружение В. Брюсова
    (Лингва, 2018) Багдасарян Р.А.
    The Armenian intellectual community of Russia realized the positive aspects of Russian and Armenian peoples’ mutual influence, united by common social and political destiny. V. Teryan, K. Mikaelyan, P. Makintsyan and their colleagues – prominent writers and strong advocates of Armenia’s pro-Russian orientation and productive development of Russian-Armenian cultural links, actively participated in the creation and publication of a unique anthology «The Poetry of Armenia», edited by V. Brusov, in Moscow in 1916.
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    Брюсовские аллюзии в творчестве А. Блока и Е. Замятина
    (Лингва, 2018) Шульц С.А.
    The author of the paper considers allusions to the poems by V. Brusov «The Future Huns» and «We are the Scythians» in A. Block’s «Retribution» and «The Scythians», as well as in the «dilogy» by E. Zamyatin about Atilla. The historiosophical and genre-motivic aspects of the intertext have also been taken into account.
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    Брюсовские чтения
    (Лингва, 2018)
    V. Brusov penned several researches on the Armenian history. «The Chronicle of the Historical Fate of the Armenian Peoplе» (from the VI century BC up to Our Times) » is the crystallization and climax of his research. V. Brusov authored his study in November 1916, yet it was published in 1918, by the Armenian Committee of Moscow. «The Chronicle» comprises 124 pages, has also segments «From the Author» – «Introduction», nine chapters, «Notes», «Bibliography». Publicizing his research V. Brusov pursued a set of goals, in particular, to introduce the rich heroic history of the Armenian people to the foreign, primarily to the Russian readers with his unbiased academic approach, to show its place and role in the human history. He presented Armenian history as interrelated to the cultural process, and succeeded in offering a broad perspective on studying the Armenian history.
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    Брюсовский текст в сборнике «Первые встречи» Мариэтты Шагинян
    (Лингва, 2018) Zulumyan Burastan
    The paper analyzes the initial period of Marietta Shaginyan’s life and literary activities, the issues referring to the poetic course of «The First Meetings» poetry collection (1909), its originality and imitativeness, the influence of works by Valery Bryusov and Zinaida Gippius. The reminiscences from «Urbi et Orbi» by V. Brusov, the composition of the collection «The First Meetings» have also been considered.
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    В. Брюсов и «Брюсовщина» в наследии Б. Садовского
    (Лингва, 2018) Елисеенко А.П.
    The paper considers the influence of V. Brusov’s literary activities and personality on B. Sadovskoy’s worldview, who was early XX century writer, poet and critic. The author attempts to analyze the reasons for B. Sadovskoy and V. Brusov controversy concerning the publication of «Ozim» (1915), a collection of articles by B. Sadovskoy.
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    В. Брюсов И О. Мандельштам о поэзии Армении: лингвокогнитивный аспект
    (Лингва, 2018) Vitkovskaya Leokadiya ; Golovchenko Igor
    The paper focuses on historical and literary issues referring to the development of Russian-Armenian relations, related to creative activities of V. Brusov and O. Mandelstam, and to their research of Armenian poetry’s linguo-cognitive peculiarities.
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    «В. Брюсов явил собой новый для русской литературы тип лирического поэта»: Леонид Долгополов о Валерии Брюсове
    (Лингва, 2018) Молодяков В.Э.
    This is the first publication of research notes by a Russian Symbolism scholar Leonid Dolgopolov (1928-1995) on V. Brusov’s personality compared with A. Blok’s one.
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    Внутренняя логика развития революционного футуризма
    (Лингва, 2018) Хечикян А.Г.
    The goal of this paper is to trace the dynamics and inner logic of the development of revolutionary futurism in Armenian literature and particularly in Yeghishe Charents’s poetry. Since it was closely connected with Russian futurism, its affinities, relations and influences are studied in the context of the Russian experience.
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    Еврейская антология В. Брюсова (проект, состав, авторы)
    (Лингва, 2018) Gevorgyan Armen
    The paper explores the history of creation of the book «The Jewish Anthology». V. Brusov edited and translated a number of works for the Anthology. Preparatory work had been finalized, however, as the social and political situation changed in Russia in the early XX century, the collection remained unpublished. The translations made for the Anthology were partially included in the «Safrut» edition published in 1918.
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    Жанрообразующая функция любовной интриги в драматургических произведениях В. Брюсова
    (Лингва, 2018) Strashkova Olga
    Love intrigue in V. Brusov’s plays included in the edition «Valery Brusov. Drama» (2016) is unfolding on the level of rationally oriented relationship, sincere feeling, love game and passion. The types of love dialogues in late XIX-early XX centuries (1890-1920) become more complicated, thus enriching emotional shades and giving additional connotation to the genre definition.
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    Идиомы и ориентационные лексические метафоры в творчестве В. Брюсова
    (Лингва, 2018) Dronov Pavel
    The paper deals with V. Brusov’s use of idioms, collocations, gesture nominations, as well as the original phrases coined by the author. Emphasis is put on somatic idioms and orientation metaphors. The Russian National Corpus shows that while the author tends to use idioms and collocations in his prose more frequently, it is poetry where he modifies them. In the conclusion, the paper provides an explanation to this based on both phraseology and literature studies.
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    Из заметок о стихах В. Брюсова
    (Лингва, 2018) Bogomolov Nikolay
    The author of the paper analyzes a number of poems by V. Brusov, published antemortem and postmortem, and shares his reflection and conclusions. The matter concerns, in particular, «a reply to acmeists», «a mystery of “A Fatal Row ”», and «Verea».
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    Ирония как метод познания в художественной философии В. Брюсова («TERTIA VIGILIA», «URBI ET ORBI»)
    (Лингва, 2018) Ivanova Irina
    The paper deals with the epistemological mechanism of symbolist irony in V. Brusov’s collections of verses «Tertia Vigilia» and «Urbi et Orbi». The poet’s aesthetic and philosophic relativism reveals the Russian modernist tendencies that would later crystallize in the Russian postmodernist aesthetic framework.
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    «Испанская» концепция мира в поэзии К. Бальмонта
    (Лингва, 2018) Чулян А.Г.
    The purpose of this paper is to determine the Spanish concept of the world in the artistic perception of K. Balmont by the method of analysis of poetic works with Spanish themes in the creative heritage of the poet. The variety of the «Spanish» themes, motifs, and 424 characters in K. Balmont’s poetic heritage proves that Spain was seen by the poet not only as historical or geographical scenery, against which the poet represented his own work; К. Balmont recreated the past of Spain, delved into the essence of the Spanish character, appealed to the masters of art and literature, which led to the endless transformation of the К. Balmont’s lyrical hero. «Spanish» themes, motifs, characters have served as a source for his critical articles and essays with Spanish themes, complementing the «Spanish» concept of the world in his literary heritage.
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    Концепция античности в творчестве В. Брюсова
    (Лингва, 2018) Khachatryan Natalia
    The paper is devoted to the concept of antiquity in V. Brusov’s works. It reveals the influence of the prevailing philosophical theories of the late XIX-early XX centuries on V. Brusov’s prose and poetry, defines the main aesthetic features of his works devoted to antiquity (historicism, subjectivity, synthesis of past and present, realism, elitism, etc). The analysis allows the author of the paper to define V. Brusov’s concept of antiquity as neo-romantic.
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    «Любимец Афродиты»: образ диктатора в стихотворении В.Я. Брюсова «Сулла»
    (Лингва, 2018) Pokachalov Maxim
    The paper views the peculiarities of V. Brusovʼs creative perception of the personality of Sulla, the ancient Roman dictator. On the material of the correspondent poem the author analyzes the character traits and features of policy pursued by Sulla. The paper substantiates the poetʼs research interest to the hero and his historical doings.
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    Мотив стихий в стихотворениях В. Брюсова о мифических волшебницах и прорицательницах
    (Лингва, 2018) Gozdek Agnieszka
    Тwo poems by Valery Brusov «Amalthea» and «Circe» analized in the paper. The aim of interpretation is to prove that addressing mythical prophetesses and motives of the elements in both texts, the poet meant to express his viewpoint cocnerning the essence and function of poetry.
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    О «Футуризме» В. Брюсова
    (Лингва, 2018) Akhsakhalyan Alexandre
    V. Brusov gave close scrutiny to the Futurists from the very moment they had begun publishing. From 1911 on, he wrote a series of articles, which reveal the evolution of his perception: from negating Futurism he passed on to establishing links between Futurism and Symbolism. The issue of influence of Futurism on V. Brusov brings out the complexity of correlation between the two movements.