Մաքս Ֆրիշի «Օրագրային» արձակի կառուցվածքի և շարադրման ոճի առանձնահատկությունները

Abstract

Owing to the novels and narratives of Swiss writer Max Frisch, based on the material of autobiographical diary records, the “diary” prose finally took its firm place in European fiction as a equivalent literary genre. The aim of this article – is the analysis of the dynamics of development of the “diary” prose in the German-language literature from the traditional diary to the literary genre, which can be best of all followed namely in the works of Max Frisch. In contrast to traditional diary, which doesn’t have a definite structural composition and one common plot-line, the prose works of the author, based on the biographical facts, have a deep idea content, well organized structure, a strict sequence of plot, cause and effect relationship. This research work is stated in principle of historical-comparative and literary-critical analysis of Max Frisch’s prose fiction. Here is also analysed the connection between the "diary" prose of author and the philosophy of Soren Kierkegaard, which can be observed as the theoretical base of present research.