Сознание как одна из доминант образа поэта: Андрей Белый о Валерии Брюсове в цикле «Брюсов. сюита»

Abstract

The article analyzes the poems of Andrei Bely from the cycle «Brusov. Suite» (1929–1931). They were the result of the implementation of early poems through immersion in the sphere of memory, in the world of prototypes, one of which was friendship-enmity. As a result, Andrei Bely, as he estimated, gives more accurate reflections of the poets’ meeting and of the «dark» image of Brusov, the dominant of which is the poet's consciousness, the motives of enmity are intensified and reconciliation is achieved.