Преступление без наказания: «Последниe страницы из дневника женщины» Брюсова и «Счастье в преступлении» Барбе Д’оревильи

Abstract

Two stories that differ significantly in their details are connected by their central characters: fascinating and dangerous women who are revealed to stand outside the moral order of their worlds. Other key figures are also implicated in the narratives, as the effectiveness of authority figures including parents, doctors, and detectives is challenged.