2016

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    Oбращение к переводам В. Брюсова из французских поэтов-символистов (Ш. Бодлер и А. Рембо)
    (Лингва, 2016) Оганесян К.А.
    The article considers the translations of French poetry (Ch. Baudelaire, A. Rimbaud) made by V. Brusov and by other masters of the Russian poetic translation in different periods.
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    Авторские «Изборники» Валерия Брюсова: замысел, композиция, аудитория
    (Лингва, 2016) Молодяков В.Э.
    This article deals with Brusov verse books selected by the author himself: “Izbrannye stikhi” (1915) and “Krugozor” (1922). The both were never analyzed as separate poetic books in the context of Brusov’s literary evolution. This study is focused on the composition of “selected verses” and their estimated readers.
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    Брюсов – футуролог (драматургический опыт. «ПИРОЭНТ»)
    (Лингва, 2016) Чулян А.Г.
    The article is devoted to the issue of the future as set in Brusov’s dramas, the drama «Piroent» in particular. The author of the article comes to the conclusion that in his drama Brusov puts emphasis on the crucial issue of the epoch – the struggle between the spiritual and the technical.
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    Брюсовские чтения
    (Лингва, 2016)
    On October 6-8, 2016, the XV International academic conference «Brusov Readings-2016» to celebrate the 100th anniversary of the publication of «The Anthology of Armenian Poetry» was held in Yerevan. The conference was initiated by the Yerevan Brusov State University of Languages and Social Sciences with the support of the Graduates Association of the Yerevan Brusov State University of Languages and Social Sciences, the Russian Center for Science and Culture in Yerevan, the Union of Armenians of Russia and «Antares» holding. The opening ceremony of the conference was held on October 6, at 10 a.m., at the Conference Hall of the Yerevan Brusov State University of Languages and Social Sciences. The famous academicians and young specialists from Armenia, Russia (about 10 cities), the U.S., France, Czech Republic and other countries participated in the conference. In the course of the opening ceremony Gayane Gasparyan, the YSULS rector, the representatives of the RA Ministry of Education and Science, RA Ministry of Culture, the Embassy of Russian Federation in Armenia, the Russian Center for Science and Culture in Yerevan and the Union of Armenians of Russia addressed the audience.The following events were held within the framework of the conference: the presentation of the facsimile publication of «The Anthology of Armenian Poetry» and the official site of the Brusov Science Center, as well as a concert program. The participants of the conference visited Martiros Saryan House-Museum, the Armenian Genocide Memorial Complex, and Oshakan (the guests visited Mesrop Mashtots’s grave on October 8, within the framework of the celebration of the Holy Translators’ Day). The tradition of the «Brusov Readings» goes back to 1962. During 50 years the conference was held not only in Armenia, where the center of Brusov Studies – Brusov Science Center at the Yerevan Brusov State University of Languages – is situated, but also in Russia. The «Readings» are usually arranged for the anniversary data. The current year’s date is crucial not only from the viewpoint of Brusov’s creative activities, but of the historical destiny of the whole Armenian nation as well. The matter concerns the publication of the monumental work – «The Anthology of Armenian Poetry from the Ancient Times till Today». Brusov was the first to unveil the ample poetry of Armenia and to disclose the enormous richness of multi-centennial Armenian poetry – a really challenging task. «The Anthology of Armenian Poetry» was published in 1916. 2016 is marked by the resurgence of the epoch-making publication. Its presentation was also held within the frames of the conference. 9 joint and specialized sessions were held during the conference: VALERY BRUSOV AND THE ARMENIAN CULTURE VALERY BRUSOV AND THE WORLD CULTURE VALERY BRUSOV AND THE WORLD CULTURE THE PROBLEMATIC ISSUES OF VALERY BRUSOV’S CREATIVE ACTIVITIES
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    Брюсовское «Озарение смертью» в романе Захара Прилепина «Обитель»
    (Лингва, 2016) Попова И.М. ; Глазкова М.М.
    The issue of the Russian culture literature centricity in terms of the Silver Age poetry influence on the logosphere of the Russian society in 1920s as set in a novel «Abode» by Zakhar Prilepin is analyzed in the article. The author of the article shows that due to the dynamics of Brusov ideas’ perception Zakhar Prilepin identifies the protagonist specific features, unveiling the society total spiritual state.
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    В. Брюсов и М. Шик в культурно-историческом контексте эпохи
    (Лингва, 2016) Григорян А.Г.
    The article is devoted to the analysis of V. Brusov’s translation of «Bilder aus vergessenen Tagen» poem by Maximilian Schick. The author of the article estimates the semantic, syntactic and grammatical resemblance, as well as differences between the original and the translation in the cultural and historical context of the age.
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    В. Брюсов и русская синкретическая культура начала XX века
    (Лингва, 2016) Даниелян Э.С.
    Underscoring that Brusov took a leading role in the process of creation of «the new culture» we would like to again stress that he had no intention to synthesize different arts. Moreover, he denied any connection between art and religion. Brusov’s work on theater studies shaped the Russian theatrical thought of early XX century. His role in the creation of musical and artistic works is also of crucial importance.
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    В.Я. Брюсов на страницах журнала «РЕБУС»
    (Лингва, 2016) Геворкян А.В.
    The author of the article studies the historical and literary facts of Brusov’s creative biography referring to his cooperation with «Rebus» magazine. The poet’s views and approaches to the analysis of paranormal phenomena presented in the article entitled «The Methods of Mediumism», in the letters and diaries and the debate about the publication have also been covered.
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    Валерий Брюсов и Владимир Маяковский: к истории спора футуристов с символистами
    (Лингва, 2016) Ахсахалян А.Э.
    The individual aspect of young Valery Brusov's project is decisive for the formation of the Russian Symbolist Movement. The specificity of Russian Futurism is indeed conditioned by the collective dimension of experience and an artistic expression in which the use of coarse parody often hides the subtle interplay of literary allusions. The reflexion hinges upon the image of poet Brusov who is caricatured in the founding article of Russian Futurism «A Slap in the Face of Public Taste».
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    Валерий Брюсов – гимназист: к вопросу об истоках системы образов поэта*
    (Лингва, 2016) Скороходов М.В.
    The author examines the training program for the gymnasium where Brusov studied and also analyzes the textbooks and training material. The author considers the works of the young poet who wrote them in accordance with the curriculum.
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    «Гражданин Брюсов». Неизученные страницы биографии поэта в 1917 году
    (Лингва, 2016) Орлова М.В.
    The article describes V. Brusov as a Commissioner, the head of the Commissariat for Registration of Published works in 1917. The text is based on materials, recently obtained by the State Literature museum from a private collection.
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    «…Доставить <…> минуту доброго настроения в реванш прежних огорчений» (А.А. Измайлов и В.Я. Брюсов: по архивным материалам)1*
    (Лингва, 2016) Александрова Э.К. ; Александров А.С.
    This article is based on the correspondence between Izmajlov and Brusov (1909-1917) to be published by the Russian Literature Institute (Pushkinskiy Dom) of the Russian Academy of Sciences. The unpublished materials from the archives of St. Petersburg and Moscow were also considered.
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    Жанровые особенности заметок «MISCELLANEA» и их культурно-исторические аналоги
    (Лингва, 2016) Аванесова А.В.
    This article is called to analyze Brusov`s book «Miscellanea». The whole book has never been published. It consists of thoughts and notes on different topics. The author of the article tried to identify the genre and draw parallels between Brusov and some other authors, who wrote essays in different epochs.
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    Жанрообразующая функция социально-политического конфликта в научно-фантастических драмах В. Брюсова 20-х годов XX века*
    (Лингва, 2016) Страшкова О.К.
    In Brusov’s dramas of the post-October period the revolutionary epoch is reflected with varying degrees of relevance of its presentation. The dramatic sketch «Pythagoreans» and a drama «The World of Seven Generations» recreate some principles of the governance under the laws of the community «democracy» in the genre of the science-fiction drama. We refer the tragedy «The Dictator», where the conflict is built on the futurological anticipation of the consequences of the proletarian dictatorship, based on the principles of the democratic centralism, to the genre form of the drama dystopia.
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    Женская психология и типология женских характеров в представлении В.Я. Брюсова
    (Лингва, 2016) Михайлова М.В. ; Чумис А.Е.
    This article deals with female characters in V. Brusov’s short prose works. The author studies in detail three types of female images, as well as their relations and differences. The analysis explains the evolution of female psychology in both historical and cultural aspects, revealing the artistic methods of V. Brusov, who is not only a writer, but also a psychologist.
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    Из истории сценических постановок оперы «ОГНЕННЫЙ АНГЕЛ» (С. Прокофьев – В. Брюсов)
    (Лингва, 2016) Сарафян Д.Р.
    The author of the article tells about some episodes referring to the performances of «The Fiery Angel» – Sergey Prokofyev’s opera. The opera was first staged only after the composer’s death and at first drew the attention of the Western conductors and directors. It is noteworthy that the modern directors tend to modernize the opera’s plot.
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    История армянского народа в оценке Валерия Брюсова
    (Лингва, 2016) Овсепян Л.В.
    «The Chronicle of the Historical Destinies of the Armenian Nation» supplements rare impartial studies on the Armenian nation in a foreign language (Russian). Being laconic as a chronicler yet accurate as a literature historian, Brusov managed to explain the historical background of the development of Armenian spiritual culture (in part, of the Armenian literature). The author of the article studies the way Brusov perceived and estimated the Armenian cultural life, underscoring the necessity and urgency for a new qualified Armenian translation of the above-mentioned work.
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    История и культура Армении в восприятии В.Я. Брюсова
    (Лингва, 2016) Вардумян Г.Д.
    In his works devoted to history of Armenia V. Brusov writes that Armenian culture has evolved over thousands of years as a result of the merger of Eastern and Western elements from Asia and Europe. The poet is quite well aware of the history of Armenia, but many of his statements, especially those about the initial stages of the formation of the Armenian people, resulted from the achievements of the historical science of that time and have long been obsolete. Nevertheless, it is obvious how cordially he treats the historical fate of the Armenian people, and how highly he values the centuries-old Armenian culture.
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    К проблеме: Брюсов и традиция. Мифопоэтический образ клеопатры в поэме «Египетские ночи»
    (Лингва, 2016) Гоздек А.
    This article analyses the mythopoetic image of Cleopatra in Valery Brusov’s poem «Egyptian Nights», which is the processing and ending of Pushkin’s eponymous poem. The Russian symbolist creates an image of the Egyptian queen according to the historical evidence and cultural tradition, but at the same time according to the symbolist worldview. His lyric heroine combines the specific features of the historical Cleopatra and the mythical Aphrodite, and becomes the personification of eroticism and passion that exceeds all other values and exercises the complete power over a human life.
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    Кавказский текст В.Я. Брюсова и Н.С. Гумилева: когнитивно-концептуальная интерпретация мотивов путешествия
    (Лингва, 2016) Витковская Л.В. ; Головченко И.Ф.
    This article explores the creative connections between Brusov and Gumilev which reveal the poets’ world perception and define both general and individual features of their works’ perspective, specifically reviewing the philosophical and aesthetical approach to describing journey motives in the Caucasus inspired works.